Thursday, April 8, 2010

Dancing with Angela

I think I met her in France
or maybe it was Virginia...
We danced at some school event
but I don't think it was the prom.
I smelled perfume on her neck
as we danced and sweated together.
I remember she wore glasses and had brown hair.
And her eyes were brown too
as she looked at me somewhat bewildered.
Who were we anyway?
I knew we weren't surfers.
We were miles away from the sea.
"Little surfer, little girl..."
Make my heart unwhirl like the years
and all the dances lost in time
along with old songs and movies
I saw many years after the prom.
Like Fred and Ginger in Top Hat
or Gene Kelly in Singin' in the Rain.
They're all gone and so is Anagela
hopefully not to the final resting place
where all the old movie stars go.
But soon enough we'll be there too,
even though that was our only dance,
she with her brown eyes and perfume
and me with an open book.


(c)Joseph Lewis              2008
published in Skipping Stones, Vol VI

Wednesday, April 7, 2010

encounter

"Losing focus in ordinary rituals is common under such intense desire"
- from a horoscope -


A vessel wants filling, doesn't it?

She needs his eyes to own her,
here, this close, she will follow,
drop her belongings, not look back,
agree to be wife two or three or four
to please him, fold him up as a god,
wait for his favor, drown.

as she slowly brushes her hair,
his influence falls away, brush,
brush, the safety, brush, the heat,
brush, brush, brush, brush, until
she is empty once again.


(c)Shann Palmer            2008
published in Skipping Stones


Tuesday, April 6, 2010

Genesis

for Catherine

The doctor, hip bumping the door, appears
with you, blanketed, cradled like a lesson.
Mother blood in hair, you do not paddle
a cry toward me.  You do not open
your eyes like a creator.  He would swear
he carries you in the fluorescent hall,
but you sluice into me.  You may not have
judged if it is good--what you fashion
of me--worthy of your heart and lungs,
but I, cut through and sculpted by runoff,
temperatures streaming, I already am young.


Jay Paul,               1999
from Going Home in Flood Time 

Monday, April 5, 2010

A Confession

"I dare no longer stay!"

Forgive me, Friar Lawrence,
You're not the well-intentioned,
vacillating failure
I've always taught,
A weak man leaving Juliet in the tomb to die.

Like you, I would have stayed through the night
But I didn't.
"Will he survive?"  I asked the ER doctor on the evening shift,
Her military about-face gave me hope.
"I don't know."
George turned to me from his gurney,
Resolute, stubborn.
This was his own journey;
No tears need christen it.
He knew its end.

Finally, I looked at my watch.
"Well,
I've got to get home, walk the dog,
And get ready for tomorrow."

Friar Lawrence,
My exit wasn't scripted.
Why didn't I know
He'd die the next day?
before the vernal equinox.


(c)Christy Lumm               2008
published in Skipping Stones, Vol VI

Sunday, April 4, 2010

Pilgrimage to Pieta

With grace and cheer, despite her need to stop
and rest, to catch her breath too frequently,
the widow Mary trod these rocky hills
and hard-pan valley roads from Nazareth.
Five days in searing sun, five nights she and
a dozen pilgrims shared their fellowship
and food and space, and yet she sat alone
within her weary heart.  In numbers safe
outside the city walls, the tent now set
to stay a while, they'd merge tomorrow with
the crowds of worshipers through temple gates
to pray, and later share their Seder meal.
Arising Passover before the sun,
she walked the slope in search of time and place.

When Mary found the garden where long years
ago she'd stood dismayed, the empty tomb
where her own murdered son was laid in pall,
where she had failed to recognize a soul
who asked, "Why seek you life among the dead?"
The sun now shown across Jerusalem.
The past weighed heavy on her heart. She sat
upon a rock and laid a flower down
with gentle hands among the weeds.  She stood
in silent grace and trod, deliberate,
the few remaining steps uphill past storm
and butter memories of violence,
of midnight dark at noon, of shaking earth,
a cross, and she was standing on the Skull.

On Golgotha she knelt, poured water from
a skein into her hand and splashed her face,
gave thanks and drank.  She muttered his last words:
"El'i, El'i, La'ma sa-bach-tha'ni?"
"My God, God why hast thou forsaken me?:
She stood, descended gradual brown slope,
pale green awakening before her feet,
and shuffled south.  Midday, at Bethlehem
she bought a dove and crouched in shadow at
a stable, looked back toward Jerusalem.
When she released the dove, her heart rose with
the bird.  A smile quivered quiet, spoke,
"Who is my Son?  My Son, my Lord.  Thy will,
not mine, be done," her Pieta resolved.


(c)pete freas          2008             
from Mary, Mary, Mary: 
Visions of Grace

Saturday, April 3, 2010

Wide Earth

The smell of the juniper bush, the gin
And rum mixing on the night air
Carried on a breeze that makes the hair on my neck
Prickle.  Every heartbeat pulse that sounds on a dark night
Echoes through ears hidden by hair that holds
A heritage.  A quiet so deep you can hear the long gone
Chants, the shuffle of soft leather over sand, the roar
Of the fire, the keening of women.

The stars are spilled salt across a black velvet sky
Hung like ropes from the four corners of the Universe.
With the Earth so wide I sometimes forget the parcel
I'm on, packaged away like an old childhood toy,
Whispered about like the factory mingles with the clouds
Churning out its own fabricated tomahawks and headdresses
Against the backdrop of growth and industry.

I peel the sweat-soaked shirt from my body like
I peel the curled tobacco leaves one from the other,
Remembering my birth comes from the sweat of a thousand men,
Of forgotten ritual, of names signed to thousands of pieces of paper
To be tucked away for centuries
Tenor voices urge me from within to find comfort in the heat of battle,
In the warmth of blood, the humidity of neglect
While the moon, lidless and stark winks at me from its
corner of the sky
In commiseration.


(c)Kindra McDonald
published in Skipping Stones 2007

Friday, April 2, 2010

April

Clothesline strung
from porch to pole,

I gather your shirts, hold
them close like years,

follow the garden path, shape
of your footprints.

April unfolds lilies,
forsythia bushes burst.

You clear branches, rake
flower beds,

plant my favorite pink
geraniums, call me honey.

I smile, lean like an old
fence post pressed to your chest.

Touch you like a delicate
bulb, satisfied.


(c)Ann Shalaski          2007
from world made of glass

Thursday, April 1, 2010

The Unrepentant Hour

I wonder about poems written in celebration
of morning--of lying naked in bed till noon
amid the sweet, unhurried disarray of discarded

covers, just listening to the slow wheel of a summer
day's noises revolve overhead, the ceiling fan on its lowest
setting. I would do the same but for the remembered

voice of my mother, snapping like castanets
in my ears: no girl should stay abed so late when
so much needs doing. What did it matter it was

Saturday? I darted out from under the gauze of
mosquito netting to dust the furniture and boil rice,
bleach laundry in the sun and water the drooping

ginger lilies, the marigolds, those bitter queens in ruffled
finery. It did no good to envy children in the street,
playing at marbles or with their invented toys--most likely

they had done their share of chores or would soon
be led, under the sign of a pinched earlobe. And so
there are some things I will always know: the line

on my finger by which to measure the right
amount of water for the perfect pot of rice, how to turn
the dullest leftovers into a dish so unforgettable

my friends will beg and beg, years after, for the recipe,
how to tell by the shape of clouds which fish will be
plentiful at market, or recognize by smells that carry

on the air if it is rain tomorrow or a scorching day.
Certain winged insects crawl out of their hiding places
to tell the change of seasons, and in complete

abandon throw themselves on any surface that
resembles water. When finally rain comes, then ice,
sometimes there is a little more time for wintering

and dreaming. The sky deepens now as I write this;
it's late afternoon and I'm near the bottom
of the cup of coffee I've been nursing

since noon, near the end of this poem
which has become a kind of homage to stilled
time, and also answer to its calling. Even my mother,

faithful disciple of womanly industry, succumbed
and listened. One rain-washed afternoon when the porch
steps were flooded with a surplus of peach and yellow

petals, I looked through the keyhole of my parents'
bedroom inside an unrepentant hour: her thighs,
creamy magnolias pressed open on the sheets,

everything so still, even the clock on the mantel
that did nothing to hurry, though it marked
from time to time the passing tremors.



(c)Luisa Igloria 2005
from Trill and Mordent
published by Word Tech Editions

Wednesday, March 31, 2010

In This Garden Tonight...

Promises are best made by moonlight,
Especially hand-in-hand,
Especially in this garden tonight,
Lovely tonight,
We hope for new beginnings on the new moon,
Do we dare whisper promises?
Gazing at the moon like two who believe,
The slender, sharp edged new moon,
A silver dagger piercing the curtain of velvet sky,
And shining bright beside the moon,
Her companion, Venus,
A Goddess who can grant or ignore wishes,
By those who wish upon a star,
Those desperate to find true love,
Or even those desperate to escape the pain,
I am not the Goddess of love,
You have only mistaken me for her,
On a night when I wore white robes and gold sandals,
Because you wanted someone to worship,
I am only flesh, all mortal, tied to earth,
Will you love me more truly than worship me?
Whisper to me what you have wished upon a star,
Do you dare promise me a future?
Does the moon make us believe?
Or is this all a mirage?
Then the silver dagger moon cuts me,
And it hurts because I don't believe anymore,
I don't believe a lot of things anymore,
When reality dethrones me as Goddess,
When this romantic delusion fades,
Even then, will I be of all others the most enchanting?
I wished upon a star that love never dies,
Do you believe?


(c)Dona M. Saprisiti
from Skipping Stones 2007

Tuesday, March 30, 2010

Billy Collins

My lover wishes I were Billy Collins,
that I could shape words with his carefree
elegance, describe the beauty of her face,
her eyes, not mentioning, of course,
bifocal lenses or crow's feet
caused by squinting
from not wearing aforementioned
glasses.  She'd like me to pen lyrical
couplets that praise the sculpture
of her body, shaving off excess pounds
she always talks about losing,
smoothing out cellulite, lifting
anything that sags.  She wants me to craft
a poem that's clever yet deep, passionate
yet thoughtful, spontaneous yet rhythmic;
she wants this though I am a mere limerick
among sonnets, fumbling with words
that spill gracefully from other mouths;

she wants this
          but settles for me instead.


(c)Bill Glose
from The Human Touch, 2007

Monday, March 29, 2010

For Betty, Gloria, and the Gang

Smaller, less upper-body strength,
Burdened by gravid belly
Or babe or child,
Through history we were controlled and bullied
Possessed against our will
Beaten and punished
Burned at the stake,
Shut up in madhouses
Married without consent
Forbidden to own property or inherit
Have custody or guardianship of our children
Our brains declared too small
To manage our own money.
Yet a woman designed the first card computer,
And Nathaniel Green's widow was already using
The first rough version of the cotton gin;
Harriet Tubman led through deadly darkness
Aspasia wrote Pericles;' speeches;
Hepatia taught in Alexandria
Till torn limb from limb,
Boaddicca led the Britons' doomed uprising,
Zenobia and Cleopatra held to the last
Elizabeth, not crested but cloven,
Outmaneuvered everyone.
The children hang on the fence, shouting
Mama, it's Susan B.!  And Stanton hurries,
Baby on her shoulder, pen in hand.
What do women want?  Freud wonders
I only ask, said Angelina Grimke
For my brother to take his foot off my neck
So I can stand upright.
Look, look, Abigail
We have fomented a rebellion.


(c)Bea DuRette          2010

Praise the night

for curtis


listen to me.

praise the night.

my spouse walks in
with a hundred bags of groceries,
with his
I have gone into the night and returned to you
with a hundred bags of groceries.
I do this for your love
look on his face.

his face says
I am through, don't give me another list for a very long time.
it says further
I require televised sports.
Sports alone will make me forget my hour at the supermarket
and that they tried to cheat me at the register once again.

we briefly embrace in the paperbag sea,
for fred hickman will soon enjoin doc rivers
to endorse his analyses
de hoop.
socrates and plato
on tnt.
Blah de dah! says hickman.
Absolutely! responds doc, crisply attired
on the split screen.

hallelujah!

praise the night.
I do this
for your love.


(c)Toni Wynn          1993
from the place within where the universe resides

Saturday, March 27, 2010

A Prayer

from clay are born great urns where
in design
barefoot maidens dance,
in serene timbre
circle upon circle
in etched unity.

from clay vessels fragrances rise,
crushed rose, lemon verbena,
mint and thyme,
these scents
hold aromatic
memories.

transposed upon porcelain
they wear
mortal costumes but
each dancer's life is,
outside the truth
of finite time.

in celadon glaze they dance away the star filled night,
circle upon circle
the moment is fluid grace,
each maiden's breath
a prayer.


(c)Elisabeth Arrington Cox          2010

Friday, March 26, 2010

On Being 80+

I think I have entered
the prime of my life -
getting beyond four score years
makes me thankful
for what has gone before
and anxious for what is to come -
not anxious 'fearful,' anxious 'happy.'
Perhaps I've done something right -
doing unto others, et cetera,
reading more, absorbing more.
I find most things interesting
especially if called by Thespis
and fine tuned by Sondheim.
Gray hair may be limiting
but I'm learning to use
age and gray to make this prime time
palatable as possible -
so far I'm enjoying the ride.


(c)Beverley Isaksen
from I'm Not Leaving Yet2007

Thursday, March 25, 2010

Mother's Turn

I can't believe she is eighteen
Standing there in her cap and gown,
Anxious to leave me
Straining hard at the starting gate.

I can't believe she is thirty
Standing there in her wedding gown
Bound to another
Galloping toward her future.

I can't believe she's a mother
Standing there with her newborn child
Nuzzling her offspring
Awaiting her turn to let go.


(c)Beverly Outlaw
published in Skipping Stones 2007

Wednesday, March 24, 2010

Tulip for a New Millennium



Find what way, you sing,
we each are made to catch and release

(like your tight cup of petals)
more, oh more, long-needed light

after all the torn, wounded
centuries under all those darkly wed

to themselves, to Self only, while we waited
while we wept and sang, dear tulip, we who

once lived lost in your beauty:  we
are no longer so tender or weak

we hear and feel now the desperate red
whip of the ache of this time:

and together, just now possible:
together what we gather--syllable

brush stroke, bold note swelling
and sailing over and through--

what we make and gather enough
at last, an ocean against all rivers

dark and void, this ocean greater
gracing hands that open and release

image after image over the mass
graves and palaces of history and out onto

a dazzling plain (far, near) where finally
we walk, weaponless and unafraid.


(c)Vivian Teter
from Edge by Edge, 2007

Tuesday, March 23, 2010

Quick

My mamma used to go dancing on Fridays
She would spend extra time putting on lotion after the shower
curl her hair
and let me pick out her top
She would tie us to the hip of a babysitter and
bribe our good behavior with pizza money

Other times she would corral us into an old beat-up brown Toyota
and haul us downtown to the park with free TGIF concerts
and cheap Miller Lite
She would slide out of her shoes and dance with us
in the grass while the late summer sun kissed the river good night
She would twirl us until we fell
dizzy and giggling into the backseat
half asleep before we even got home

I still believe that women are the most beautiful when spinning
outside

And people always talk about the music making them feel
but the best music makes you move
Alters your senses
Inhibits inhibitions and weaves you into nights that will leave
you pondering your ability to drive home responsibly
Nights where boot soles meet floor and tap out familiar patterns
Where hips sway like infinity signs left to right and back and forth
Where eye contact is an invitation
and strangers become partners who already know the steps

So quick
before we run out of time or worse
discover more time to think things through
and change our minds
Let's dance
Let's dance like it is Friday night
and the sun is sinking into the river
Dance like you just broke up with your boyfriend
and moving your feet is just another way to move on with your life
Dance like your body is cymbal
heart pounding to chest

Let's dance like white people when they hear disco
Point finger to floor then sky freeze then hustle
Let's break-dance
wiggle worm and spin like teacups at
an overpriced theme park
Let's dance like single mothers
family able to have a night on the town
Let's reenact scenes from Footloose and Flash Dance
Let's dance like strippers when they know the rent is due
Let's dance like the boys don't even know your real neme
Dance like you aren't going home alone tonight

Let's dance
like you are listening to your favorite band play live
at a free outdoor concert
with grass between your toes
a beer bottle in your left hand
and some fine tall man
twirling you under the stars
making you suddenly beautiful





(c)Cheryl "Snow" White
published in Skipping Stones 2007

Monday, March 22, 2010

Symbol

My Jewish girlfriend
Gave me a rose,
A yellow rose
With red petal-tips
As if it were bleeding.
Identical to
Another yellow rose
With red petal-tips
That she gave me
A few weeks before.
The first rose is in its
Vase still in full bloom
But the yellow has bled
To a dry-blood brown:
It has given me the
Joy of its color.

As I remove the rose from its
Vase carefully to
Preserve its bloom--
Preserved even in death,
And before I place
The new rose
Vibrant, alive
In the vase,
I realize today is
Good Friday.


(c)Nelson Farley
published in Skipping Stones 2007

Sunday, March 21, 2010

Indigo Blue

Clouds of indigo blue smother me,
You're next to me in my mind,
But miles away in truth.

Why do you persist in haunting me?
I wish to be with you, but am lost, alone.
(You always had a way of disjointing my feelings.)

I thought when I left town to be free--
Free from you and all your wiles;
But I guess memory is my private Hell.

How can I disentangle my soul from yours?
I can't live with you or without you.
you are my devil/guardian angel.

Clouds of indigo blue smother me,
You're next to me in my mind,
But miles away in truth.



(c)Anne Gray
published in Skipping Stones 2007

Saturday, March 20, 2010

Lilith and Chava

*In the garden of Eden, long before the eating of the apple, the Holy
One created the first human being -- a man named Adam, and a 
woman named Lilith.  Lilith said, "We are equal because we are
created from the same earth."
                                                                 -- Alphabet of Ben Sira,  2 3 a-b

Lilith, swayed by the serpent's
hiss, No man is my master as I am
as strong as he, no man will tie my
lips as I have tasted sun and fruit,

echoed above the Trees 'til God
shackled her tongue, binding her
name to the shores of the Red Sea.
But when Chava bit into the Bitter

Fruit, Lilith rushed to assist:  Sitting
within a circle of stones on a mat
of reeds, she cleaned Chava's gypsy
curls with oily wool, perfumed tawny

skin with orchid petals, and fed her
on goat milk, pomegranates and roots.
As the Garden awaited, Lilith gracefully
wrapped her Skin around Chava's,

implanting the Infinite Life into the
unborn child.  The First Cry rushed
out of her womb and with a stream
of blood became the House of Israel.


(c)Michal Mahgerefteh
from In My Bustan, 2009

Friday, March 19, 2010

Double Solitude

Across the hall my husband
talks on the phone
about a crane, its certification

needed by noon.  I open
my notebook, finally after six days,
stare at the words last written.

His previous conversation
concerned a fire on the Eastern Shore.
Heard him say, neon,


plastic, electricity.  I argue back
and forth with myself about the necessity
of isolation--the possibility of double solitude.

Suppose I had a garden of delphinium, day lilies,
and peonies outside our back door.
Suppose we had a back staircase to the kitchen.

Suppose I didn't know he was writing a report
about a collapsed bin and damaged wheat.
Who or what defines fault, failure?

Earlier I lingered in bed, waiting
for him to return.  Heard him say,
failed brick wall, crumbling mortar.


(c)Elaine Walters McFerron
from Double Solitude, 2004

Thursday, March 18, 2010

The Bedroom Clock

Reads 2 a.m.
Red digital lines
of today.

The day closed,
still as a locked church
before even the stained glass

has come to life;
shut against the sunlight
and the news that will

break into my life, a thief
who steals my time,
measured out

in pieces.
They make no sound,
except to breathe,

intake of air so silent
my lungs hurt to stay quiet,
and then, rise only by degrees

inches that cannot be heard
for fear the news will be bad,
and the alarm will sound.


(c)Nancy Powell
from How Far Is Ordinary, 2007

Command Performance

I should be sleeping,
but the giant moon
tracked my every move
with spotlight precision.
Is mine the Seventh House,
or am I supposed to be
performing in some
cosmic stage show?
I saw it earlier
at my office window,
thought its message
was quite simply
to put it all aside
take a long break,
give my work a rest,
vacation in dreams.
My eyelids are too thin
to block the tireless strobe
determined to wake me now
at four in the morning,
insisting I meet its call,
insisting I meet its call,
to appear on cue,
take the stage,
play a roll.
I turn my head away
but there's no escaping.
My bed is slashed
by a stream of light
sharp as a laser
burning my body
'til I have no choice
but to surrender.
There's no 911 number
for this emergency,
no moonstalker patrol
to rescue me, make  arrest,
no neighborhood watch
to protect me against
a nighttime intruder
such as this.

Beaten, I stumble
to my bedside window,
armed and ready with
curses and gestures,
prepared to shut it out,
when it kisses my face
and charms me
with its brilliance.
Seduced, I'm persuaded
'to celebrate the night
with moonlight cocktails
of milky inspiration
that make me giddy
with morning poems,
as my new friend
steals away at dawn.


(c)Mary Curro
printed in Skipping Stones 2007

Almost in Love

Like mirror images reflecting
each other's ego needs,
drawn together yet frightened
by the possibilities,
we pretend to trivialize,
to focus on the practical,
the business at hand
to get us safely through.
We peek into the mirror
holding one eye safely closed,
avoiding the fiery tales
years of memories have told
leaving ears red and sore,
eyes red with tears unable to
quench embers that won't die.
So the fortresses are strong,
the moats dug wide and deep
around each of our castles.
Still, we call to one another,
pay our visits frequently,
lowering the ramps
for an afternoon or night of
forgetting whys and wherefores.
Quickly we retreat again
as dawn sneaks a laser beam
revealing all our fears of
how frightening it can be
to meet our match in the light
of so many painful lessons,
to face the scary prospect
of accepting ourselves.


(c)Mary Curro                        2007
published in Skipping Stones 2007

Tuesday, March 16, 2010

MIdlife Chrysalis

Midlife crisis
sounds too serious.
A hurricane is a crisis,
a train wreck is one too.
But a crisis for age,
not me or you.
Let's call it instead
midlife chrysalis.
Much softer
sister butterfly.
Spread those wings,
it's time to fly.


(c)Phyllis Johnson          2007
from Hot and Bothered by It

Monday, March 15, 2010

Comfort

Today I'm wearing my old comfort clothes
The draggy pants, the torn, moth eaten sweater
My relics from days when formal dress wasn't
So de rigueur and I didn't don polyester
Now full of memories, now not fashion sense
Just perfect for black coffee and delayed attic trips
With dust and photographs yellow with age
Tiny snips of hair from angels that passed by

We don't need the armor of society
To enjoy the things that comfort us most
The old, familiar, useful, worn, but faithful friends
Who remain so stolidly with us today
Embraced by memories I hold most dear
I'm wearing my old comfort clothes today


(c)Anne Darrison          2009

Sunday, March 14, 2010

Push Me

Push me
too hard
and
i crack,
splintered
pieces
skittering
across
the floor.
Back me
into a
corner
and
i react,
spluttering
shrapnel
'til only
shards
remain.


(c)Lisa Kendrick          2009

Saturday, March 13, 2010

But When She Sings

To only hear her whisper
is to enjoy a cool breeze
in an Arizona desert
Yet never realize
it was once a tropical storm
blowing from the south pacific
But when she sings
every beautiful sound in nature
rides the wind
and every creature and man
on earth are kin


When she speaks
her voice is soft and kind
Yet there is only a hint
that the souls of men
have given her the rights
to their song
But when she sings
angels flood the sky to listen
and mortals imagine themselves
dead and gone to heaven
yes in her breath
ordinry people fly with angels

And to only hear her laughter
is to never know her pain
And to only hear her cry
is to never know the joy
But when she sings
the tragic and the true
the happy, the blue
all comfort one another
in the revelation of song
that even death is nothing to fear
for life itself
is forever changed


(c)Nathan Richardson         2001
from Likeness of Being         

Friday, March 12, 2010

Tokyo Christmas Cake

The Tokyo Office Ladies
sip their tea and whisper
as a coworker goes by,
"Kanno-jo we kurisumasu
kekki, so desho-ka," meaning
"She's  a Christmas Cake, yes?"
They hold their hands up
to their mouths and laugh.

I ask my guide Miss Sato
what it means, and she says
"Shoppers only want to buy their
Christmas Cakes before December
25th, after that they're useless!
And so also the saying goes, no
man looking for a wife will want
one over twenty-five years old."

Then noticing my ringless hand
and graying temples, Sato San
sets down her cup and bows.
"Sorry, Sumimasen," she says.
"That's OK, Daijobu desu,"
I tell her, not in the least offended,
only--by that calculation--
several decades stale.

Later, in the Ladies Room, I see
the object of their scorn, applying
liberal make-up with the deft hand
of a geisha to her young and lovely
face, making lashes long and curled,
cheeks bright, unsmiling lips plum-pink
and full.  She sees me in the mirror,
says in perfect English:  "At least they
can't say I'm not good at frosting."


(c)M. Lee Alexander          2007
from Observatory   finishing line press

Thursday, March 11, 2010

My Hair is

too long
too dark
too curly
too wild
for my mother
She wants
oh
how deeply
she wants
me to cut
cut
cut it


(c)Sharon Weinstein          2010

Wednesday, March 10, 2010

Mother at War

My vanity is long forgotten,
The mirror tells me so.
I used to care, but I don't anymore;
I'm a mother at war.

I dreamt you were in a black robe,
It was graduation day.
I try to sleep, to dream some more;
I'm a mother at war.

A rifle as your best friend?
I can't imagine you.
No longer the boy, I knew before;
I'm a mother at war.

Each battered bastard's blood shed,
That of an enemy's son.
I once cried a little, but little no more;
I'm a mother at war.

My soul has torn and tattered edges,
relentless conflict rages.
A heart wounded woman, battered and sore,
I'm a mother at war.

Today is my tomorrow,
'Til you walk through that door.
You will be as you are, as I am no more;
For I've been a mother at war.

My vanity is long forgotten.
The mirror tells me so.
I used to care, but I don't, anymore.


(c)Donna Kalinski          2010

In an image from a wake (circa 1921)

another century's tireless girl awaits
off-center, calm on the homestead porch,
and presses the palms of downcast boys.

The door behind hangs indistinct, ajar
perhaps to free their house's nervous spirit
on indecisive breeze.  Her charges tilt

as if in prayer:  Let us toss our Sunday hats
into the trees, hang go-to-meeting clothes; Lord,
please don't take our sister, our Mary, too.

Young Mary must have seen a western flash
through budding maple, elm and ash--
a wink from Merriman Lake.  Revelation,

grasped silver-bright and sharp, is carried still
like a favorite verse, yellowed and creased
in our matriarch's purse.  This force of faith,

sustained in her throughout one-hundred years,
throws light and hope to all who live in her
enduring scope.  New generations come--

an endless flood of tangential blood--
to gather at her seat.  So let us pray
that when she sleeps, age-rippled days reflect;

gray hair again acquires a copper glow;
her freckled skin grows taut; and mischievous
brothers return as children freed from all

portents that blind the present.  So enjoined
they'll weave past brilliant trilliums arisen
from generations of moldering leaves.

Unshod, three wraiths may chase the small grey fox
down paths compressed by warrens of rabbits,
sort through the shadows for shy morels, and

find confirmation at the water's edge.


(c)Allen M Weber
published in Skipping Stones 2007    
and in the anthology Peninsula Poets 2008

Monday, March 8, 2010

Dirty House Poem

there is poetry in a dirty house.
the way a sweatshirt is flung here
or there
the way dust settles
books pile up
and fray, the top book,
a flippery paperback,
the bottom, a hardback
long forgotten
in the sink, the layers
of toothpaste and saliva,
without which it would seem
no one has ever spit
on the blue porcelain,
slides past the chrome
we have traces in this house
lives leaving footprints
let's not forget ourselves and sweep
the drying grass off the foyer
let's not forget the night before
and make our beds
the way the creases fold,
the way the blanket tangles
some record of tosses and turns
some indelible love
we call the swirls of our bed linens,
art
we call a note from our child
scribbled on blue lined paper,
literature
shame on us
to disturb the masterpiece

there's poetry in a dirty house,
a triangle of striped shiry
caught in a drawer
shoes strewn
patriots being born

I fear the vacuum
lest some vital record
of our existence be erased

I say let the artists live
and let the house grow on


(c)Jill Winkowski          2009

Sunday, March 7, 2010

Cinderella

In my dreams
I am young, beautiful,
But often, I am wearing
An old bathrobe
With belt missing,
That has seen better days.
Trying to be invisible,
I clutch the robe around me,
As I slink through a room
Full of well-dressed people.

I wish I might stroll elegantly
Among the glittering crowd,
Dropping "bon mots,"
But no--
Always I am the princess, unrecognized,
Searching for my prince
Who will see beyond the shabby clothes
To the inner perfection.


(c)Margaret Peck Latham          2010

Saturday, March 6, 2010

Summer and Smoke

My Momma was running hot
bleached blonde crazy,
a crap shoot of slaps, hugs,
ambiguous permissions, it didn't matter
it had all been done before,
              -Look at her wild eyes, Charlie-
I was bad enough to earn distrust.

Then she dug my white cotton panties
our of the hamper to check
for what? I didn't know,
               -We were talking, that's all, Momma-
mired in real-life drama,
it was the night she wasn't there.

I played Blanch Dubois, won second place
in half the whole damn
state of Texas, second place!
Can you imagine that?

Looking for her face through
the red curtain slit, I was
wrapped warm in applause
and the kindness of strangers
               -Shut her voice up inside-

Kenny was back from Tulane
on his way to Viet Nam.  Top down,
we had burgers in his Corvair,
I sobbed in big gulps, he tried
to make it right, fondled my breasts.
I felt beautiful, returned
his wide-mouth tongue kisses,
                -but that was all, I swear.
                 Why won't you believe me?-

The next day we went to East Gate Mall
for new school clothes and shoes,
it was as good as her sorry ever got.


(c)Shann Palmer                         
from Dashboard Fire 2009

Friday, March 5, 2010

Birthdays

Don't think of yourself as getting older
Think of yourself maturing, a fine wine
Growing in complexity and flavor
Appreciated by those discerning
Few who pass by the beer kegs of life


(c)Frieda Landau          2010

Warrior

visions of indecision
queen of hearts
assemble parts
armored
            of
                            jewels
                            boa
                            and dagger
feminine swagger
with bouffant helmet
sporting medusa tiara
the terror revealed
in stiletto heels


(c)Frank Kozusko

Wednesday, March 3, 2010

Locks

Your hair, this black cascade that falls like time
Upon the pillow, twining into streams,
Leads fingers on an odyssey, sublime
As unencumbered pathways of deep dreams.

To break the spell would be horrendous crime,
But holding silence drives me to extremes,
So I spin lover's wishes into rhymes
As you drift through the land where passion teems.

We lie again beside the surging sea
Whose breeze is scented with a hint of spice--
Embrace those waves with nobody but me!

And as we roll on swells that never end
Discovering that destinies can splice,
My lips decipher every word you send.


(c)James F. Gaines          

Tuesday, March 2, 2010

No, Sister

Sister Magdalena takes my hand between her wrinkled palms
offers sage advice to ease the throbbing ache between my thighs
as though the raw meat of my womb
were just a bruised knee
pain far removed from her cloistered flesh
beneath ponderous folds in her gblack habit, perfect wimple
that shield her from squalling babies and men's body parts
sweat and the bite of love and self righteousness.

Sister's cheeks crease into creamy wrinkles.
Broken blood vessels embellish my eyes
testament to thirteen hours of effort,
ankles so swollen I am carted in a wheelchair
to lay eyes upon my firstborn.

Sister pats my hand, murmurs
God gives you pain, then rewards you with pleasure--
see, how beautiful it is?

How she twists the adjective
like fabric with mismatched designs--
I would not love my sapphire-eyed daughter less
had she slid from between my legs like a folded origami.

I want to leap up and slap the woman across the face
but I send her off to someone else's room
to spoon-feed platitudes to a willing victim
slong with Gerber applesauce and formula
tested against her virgin wrist.


(c)Terry Cox-Joseph         

Monday, March 1, 2010

In an Assassin's Shoes

They're called stilettos,
An assassin's tool,
They strike in the deepest of nights
Under cloaks they glint like daggers

At six inches
They make the perfect weapon
Sleek and small and
Easily concealed in pretty packages

A swift stab sinks
In and right back out...

It can be days before the victim
Finds his heart on his cuff
And a blade in his back.

They step up, step forward, and on and on
Those stilettos keep
Clipping, slicing, slashing over
Pavement, slicing again and again
They move briskly under
Seamless, silk stockings that glow

Luminous in streetlight.
Eye-catching, striking,
Sharp they say.
Whistle.  Stare.  Stop.

The stilettos silently turn, sizing up
Their next victim.  Watching eyes travel
Slowly up as the heel
Taps the ground first
Then the toe, tightening the calf.
Muscles straining towards the flexed thigh,
Taut
A lesson.

Those stilettos wiped clean lay still
In the back of the closet wondering why
No one ever tells men
Most women have knives.


(c)Kindra McDonald                         
published in Skipping Stones 2007

Sunday, February 28, 2010

Thank you, Madam, for Your Interest

1.  ...in the recently vacated,
Frankly overcompensated
Managerial assignment lately held by Mr. Sowsse;
You assisted competently,
Dealing wiht his "problem" gently,
And discreetly quashed emergencies in-house.
The appointment has been given Mr. Snaatt, whom you may know
As the son-in-law of Mr. Essohbie, the C.E.O.
We trust your loyalty to help with easing his transitiion.
It was a very difficult decision.

2.  ...in the advertised position
For "experienced physician,"
And your resume was most impressive; still, we feel we must
Give a chance to a trainee
So we're sure you would agree
With our final choice of Doctor Blowsie Busste.
You may know her as the resident with forty pounds of hair
Who wa chosen Pumpkins Princess at the Nuthun County Fair.
We appreciate your efforts in our volunteer division.
It was a very difficult decision.

3.  ...as expressed by your submission
In our latest competition
For the umpty-thousand-dollar "Poet of the Decade" grant.
Though your lyrics are delightful,
Educated and insightful,
The award has gone to Mr. Ara Gantt.
You may have heard of Ara as a whiskery bluejeanius
Who writes disjointed prose in admiration of his penius.
Please try again in ten more years; perhaps with some revision.
It was a very difficult decision.


(c)Patsy Anne Bickerstaff

Saturday, February 27, 2010

Whalebone Junction

Of the horizon's curve, sequence
and syncopation of churned water, buoys

and daymarkers in the distance,
lighthouses and low bayberry on the shore--

Sea-spray beads on my skin
unnoticed.  Wind chafes my face.

Undertow erodes sand from my feet.
I can stand ankle deep against the ebb.

I can be alone
with the ocean's brooding, its extremes.

I savor divine discontent,
my sanctuary, hunger for salt,

the basket of broken shells beside a door.
I can rearrange driftwood near the fire place,

leave the damper open in winter,
disappear in the dune's shadow

on the coldest day in November.
I can wrap boiled wool

around my shoulders, my grief,
dampen my beloved's faith

with a beveled mirror, a sand rose.
I can watch for wild horses,

bury my mother-of-pearl
in a grave beneath pine needles.  I can write

unexpected words in the sand:
surrender, caesura, donnee.


(c)Elaine Walters McFerron          2004
from Double Solitude                       

Friday, February 26, 2010

Parsing

You could lift the hem of rain and enter its grotto.  Habit is what blurs
gesture into allotment and enclosure.  Fold it between times with a
monk's cord of silence, just a slick of candle-fat.  That way the next
becomes a sacrament.

Ladies in cream linen and sandals, men in madras cotton.  Resolute and
demanding, the world I love.  Emerging through screens of glass and
leaf, mercurial light tinting the sands amber, taming the water so it
rises and quickens again.

Each day in my plain gray outfit I've waited patiently for a sign.  Even
the shoe with the frayed tassel has gleaming copper caught in its teeth.
I want to be like that, now or in our afterlife.


(c)Luisa Igloria          2005
from Trill and Mordent

We Are Woman

I will rejoice
For being born
Woman,
And though within each blessing
Lives a dark-cloud curse,
I will cling to this silver lining,
And celebrate who I am --
Who we are --
As women.

I am tied to the tides,
I swoon with the moon
And my body counts off the days
Of her cycle
As her phases number mine.
We are sisters, she and I,
Daughters of the same Father,
Twins of the same womb,
And we both shine
Reflecting the light of the Son.

I am the entrance into this world.
No one arrives here but through my blood,
And seldom depart
Without my tears.

Love is language
And I am multilingual.
My tongue caresses the ears
Of every man, woman, and child
As my compassion
Becomes voice,
Becomes action.
I am your mother/daughter/sister/wife
And I am life,
Love made flesh
And tenderness made tangible.

We are all around you,
Mysterious and real
Sacred and ordinary,
And     we     are     wonderful!

We are Woman.


(c)Jerri Hardesty          2010

Thursday, February 25, 2010

In a Class by Herself

She was my favoirte; yes that's true:
A unique, unforgettable go-getter,
A non-stop, battling achiever, who
Would always go everyone else one better,
As she outranked the ranks of the common crew.

Her goal was to excel in every way,
Holding to the lead through every mile,
Accepting nothing less than a grade of "A,"
Insisting, with that charming, winning smile,
That excellence was all for which she'd pay.

No one could doubt that when she went away
To Harvard and displayed her brilliance there
That she'd come back with early-earned M.A.
To excel in jobs and career fields anywhere
She chose to seek employment or to stay.


Bill Carroll          2008

Hollow Day

O that is empty,
the scooped orange skin,
the nut eaten, caste
on its back, gutted,

the space between lines,
the day that draws water
in drops that catch sunlight
in bubbles, clear and unafraid,

before the gift card fell
open to the ink marks
the pen said were from
the girl whose hair tie

was too bright on the old
dresser against the back
wall of the bedroom
she'd just left,

where the gold band
lay shining, casting
hollow shadows in the room,
just as the lunch whistle

blew at the shipyard,
and his front door closed.


(c)Nancy Powell          2007
from How Far Is Ordinary

Wednesday, February 24, 2010

After Dark

After dark
when you're
off limits
I'll pop a cork
and invite
you over
your vampire teeth
all shiny sharp
won't put me off
if I can get
the first nibble
maybe then
I'll stand a chance
you leave your sister
in the car
don't keep
the engine running
she'll just need
to drive you home
so I can
get some sleep
dawn's satisfaction
can close your coffin


(c)Jack Callan                         2007
published in Skipping Stones 2007

My Piano Student

We have sat there together
in front of her piano
on Sundays at noon
for three years.

It looks as though
I am teaching her
about F chords
chromatic scales
fortissimo
pianissimo
staccato
legato.

And I am.

Here she is
before me
Eleven years old
dark hair dark eyes
quiet demeanor
slow to answer with words
quick to respond with her
fingers moving
to "The Spinning Wheel"
which I used to play
when I was eleven.

So what is it, again,
that I am teaching her?

How to sit
before what you love
and make it sing.


(c)Sharon Weinstein          1995
from Celebrating Absences

Tuesday, February 23, 2010

Moonshadow: an elegy

It's gone now.
A hundred and twenty-five feet of white sugar sand;
Violet clouds on the horizon
Shells washed up daily from the Gulf,
Drifts of wet, cupped jewels crunching underfoot.
For twenty years
Sandy-footed children
Stepping in the water basin at the door
Washing sand from their feet
But not their memories.
No stores on the island, no paved roads.
Inside, all planned for the sea and the sand.
Straw floor-mats, rolled blinds, opposing windows
Thrown wide when the tide turned,
Filling the house with air like a sail.
Walking each morning onto the front porch,
Mug in hand,
I watched my school of dolphins play,
My private performance.
We sold it,
Not our hearts.
The sound of surf
Is still in our ears like a heartbeat,
We still hear the call of gulls,
The soft break of foam on the sand.

Named for the song, so frail on its stilts,
Front blown out, we rebuilt it better,
Added decks front and back, screened porches;
Twice in one year the roofing gone, once the floor.
First year the plastic plumbing melted,
So we learned plumbing,
The twelve-year-old rebuilt an air conditioner,
Cousins nailed a stormwrack walkway,
I fixed a toilet and the fridge, set bread to rise,
The tireless master dared the septic tank.
Hot afternoons
We all lay on floors and sofas, reading.

It taught us, the island,
Shaped us.
When I slide into the tunnel of the CATscan
And the rumbling comes around me
I close my eyes and it's the surf;
I am on the porch barefooted
He is holding my hand
I hear the cry of children
Beyond the sea oats on the beach.


(c)Bea DuRette          2009

Monday, February 22, 2010

Reconciled

Once we no longer raced our mares through orchards of cherries and apples--
just below the rush of burden-lowered branches--once we no longer crept

together over sighing ice, for a glimpse of promise-green beneath the winter,
Pride, with too many tomorrows, conspired that we'd meet our separate ends.

For a youthful slight, you crossed an avenue to shun, and I'd not cross to meet.
Uninvited to your wedding, I sought descriptions of your dress.  At the local market,

I'd not set down the cantaloupe and join you for a thumping of the sweetest
watermelons--like those we won in nighttime garden raids.  In this small town

you would've heard the very hour each child of mine was born, and know that,
though your name was once my favorite sound, I didn't pass it to my daughter

as I often said I would.  Today, at last, I met your child--so much like you--grown
and lovely as the flowers that surround you now.  I've learned you spoke so tenderly,

and shared renditions of our unfeminine recklessness.  Lingering here between
her greeting and farewell embrace, I realize, dear friend, how scared we've always been.


(c)Allen Weber          2009
published in Up the Staircase

Sunday, February 21, 2010

Almost In Love

Like mirror images reflecting
each other's ego needs,
drawn together yet frightened
by the possibilities,
we pretend to trivialize,
to focus on the practical,
the business at hand
to get us safely through.
We peek into the mirror
holding one eye safely closed,
avoiding the fiery tales
years of memories have told,
leaving ears red and sore,
eyes red with tears unable to
quench embers that won't die.
So the fortresses are strong,
the moats dug wide and deep
around each of our castles.
Still, we call to one another,
pay our visits frequently,
lowering the ramps
for an afternoon or night of
forgetting whys and wherefores.
Quickly we retreat again
as dawn sneaks a laser beam
revealing all our fears of
how frightening it can be
to meet our match in the light
of so many painful lessons,
to face the scary prospect
of accepting ourselves.


(c)Mary Curro          2006
published in Skipping Stones 2007

Saturday, February 20, 2010

To My Sister

When I was there
and you were here
Letters were few
but oh so dear
And now that circumstance
has traded our places
Letters are new
But still the faces
lack the warmth of your smile
And love that in your eyes
reflect childhood laughter
and sometimes cries
to return to moments before
Then in moments after
becomes the same warm reflection
and joyful anticipation I see
in the moment of your return


(c)Nathan Richardson          1986
from Likeness of Being

Friday, February 19, 2010

Body Double

Round skin, thin,
wears years like tree rings,

becomes rose-hued in the view
of a new moon,

while, across chairs
set to face each other

like knee caps, faded hair
curls around a weary neck,
strained from closed buttons.

Years swallow the past
like fasted Fridays,

part company, and raise
themselves for communion.

Eyes fall closed
to rest like a Winter Oak

blanketed in Saratoga snow.


(c)Nancy Powell          2007
from How Far Is Ordinary

Thursday, February 18, 2010

Walking after midnight

She wears white--
jeans and silver-studed
jacket.  Luminous
as a will-o-wisp
under the yellow lamp-
light she walks the streets'
canyons.  The click of
her heels echoes from
the walls.  On the
upper fire escapes
twisted shadows lean
forward.  In cellar
windows eyes suddenly
gleam.  In doorways dark
as toothless mouths young
men uncurl from
feral crouches. Her heels
click along pavement
and a smudge of black
tears from the sky floats
in her wake.


(c)Serena Fusek          2009

Wednesday, February 17, 2010

Baker's Wheel

Sometimes I feel like a cake on a baker's wheel,
Turning slowly around, waiting to complete its final turn.
The icing is velvety smooth and must be carefully applied,
That it is neither too thin nor too thick.

For this sweetness is but a mere introduction to the layers beneath,
Rich and full of their own complexities.
Each imperfection artfully smoothed by a soft fruit filling,
Both sweet and tart, it is the perfect balance.

So I turn upon my baker's wheel, my slowly spinning maker's wheel.
I know my final turn shall come to pass some day.
The wheel will stop spinning, the layers of life complete,
No icing left to apply.

Just knowing each ingredient added was simply layered with love.
Measured in laughter, a sprinkle of tears, but in the end,
a good recipe shared.


(c)Donna Kalinski

Tuesday, February 16, 2010

Cherry Bombshell

I'm a fruity kinda girl
I love peaches
but melons don't cramp my style
Mellencamp drives me wild,
like a cherry bomb.

I'm a rooty  kinda girl
Sometimes they're dark
sometimes not.
Sometimes root beer hits the spot,
Rootbeer with a pecan twirl.

I'm a tooty kinda girl
Sometimes you hear my horn,
sometimes you don't.
You have to toot your own horn
'cause somebody else won't.

So I'm a rooty, tooty, fruity kinda girl.
Do I like pancakes?
You bet your booty.
With a creamy butter swirrl
for this fruity kinda girl.


(c)Phyllis Johnson          2007
from Hot and Bothered by It!

Monday, February 15, 2010

History

It's serial monogamy
Not polygamy or bigamy
It's the timing, not the ending
that surprises

Most women are monogamous
men naturally polygamous
It were ever wise to keep the end
in mind


(c)Anne Darrison          2009

Sunday, February 14, 2010

What is midnight?

midnight is an eye, awake, insistent,
holding on to ragged deams

midnight is an arm, silken with age,
fringed in hope, it is a sidewalk,
an unpaved road

midnight is a bosom, rising quiet like
bread and love presses down, just
so it can rise again

midnight is a hard sole, crusted
with garden, memories cling as it
pads to morning

this midnight is lighted, as white and
opaque as milk

inside is a dream that someone once had
the dream is still and awake


(c)Jill Winkowski          2009

Saturday, February 13, 2010

Let me taste the soulshine

Let me taste the soul shine
on the smoothness of your breasts
see the midnight moon glow
in the passion of your eyes
feel your spirit pulsing
in your fingers' caress
let us listen to the voices
calling from the night
hear the hymns of passion
in the rising sunlight
drink from each others' lips
of romance warm and true
let's explore a couple's kingdom
built with care, each day renewed.


(c)Kent Miller          2010

Thursday, February 11, 2010

She is the Land

for Gin


Her hips roll like the lush hills of Kentucky
round and fertile with tomorrow,
patterned with sunlight.  Her ears cuddle kitten songs,
mewing pink tongues that beg gifts
from swollen udders; rosebud nostrils sniff for cream
tht rises in the air like clouds,
fills her mouth, drips down her chin.
Her arms strain like roots
tethering the almost-born to earth.

She works golden shafts of straw
into welcome mats to clothe her beasts.
Her wrists snap and flick wood chips into misshapen utinsils
mined from cedar, ash and cherry,
whittled voices, stolen spirits singing of the Appalachian Trail,
souvenirs and Birdfoot Violet wildflowers.

Her pen drops words like rain
nourishes all creatures great and small,
infuses them with souls, one bleat at a time.
Salt tears replenish the crops
while she cradles her seasons in a basket.
In the distance, a whinny
shines in the sky.


(c)Terry Cox-Joseph         2006

Wednesday, February 10, 2010

The Teacher

My students
They haunt me.

They line up by the side
of my desk in the classroom
as I remove my grade book,
the text, my pen;

They meet me in the halls,
They merge into my office,
They wait for me by my car,
They leave me messages.

Thais is what they tell me:

My computer broke down,
My grandmother died,
My husband was just released
from jail and is trying
to murder me.

I'm in the school play,
I'm pregnant and I'm spotting,
I have lupus,
I need this course to graduate.

I had to work late,
I was in court,
My roommate is having
a baby and she had no one
else to be with her,
I just had an abortion.

And I
listen
to what
I don't
want to hear;

The messiness
of their lives
happening.
I believe
each story--

I have to--

These are my students
This is the way they learn.


(c)Sharon Weinstein
from Celebrating Absences, Road Publishers 1995

Intrusion

With eyebrow arched, the sun peeked over the horizon--
Was woman earth still in her shower?
Or had she stepped out full naked?
There she graced his eye, stark in her beauty--full figured,
And not yet even towel dried,
But glistening as sun's rays began to enhance her roundness.
With hot blushing face, the solar orb
Sought a cloud behind which to hide,
Thereby creating a shawl of rose lace draped where it lay,
Covering woman's earthly parts in modesty,
Easing her pangs of vulnerability.


(c)Linda Harrell Coffman          2010

Tuesday, February 9, 2010

'Pop' sicles

Tiny iced tree buds
Cuddled close on twigs
Spring's courting, sudden caught by Winter

 
(c)Anne Darrison          2010

Twentieth Century Limited

For women, the end of the twentieth century
Is no big deal.
After Betty Friedan and Gloria Steinem
We had hoped for better things,
But where has all that consciousness raising gotten us?
We are stretched thin,
Trying to fill the shoes of our mothers
While pushing our way
Into the world of our fathers.
Meantime, we are blamed for the problems of our children.
Some harsh master or mistress expects us to be all things,
Including
Having an ageless body,
Incredible orgasms on demand,
And the calm nature of a Zen master.We try for a little spiritual sustenance,
Only to be bombarded by articles in women's magazines
Blithering about decorating the perfect house
In the 2950 style.
At the same time
We are expected to whip up
A gourmet meal in twenty minutes,
Not forgetting our aim of losing twenty pounds
In ten days.
Men are discovering their inner feminine nature,
As we go off to the offices
Dressed in tailored navy slack suits,
Leaving the children in the hands of tired workers
At the local day care center.
Some call this the "sandwich generation."
Often we must care for aging parents
While trying to cope with rebellious teenagers.

We wonder what the new century will bring?
We begin to long for the dull world of our mothers,
Who stayed at home to suckle their babies
And be there with peanut butter and jelly sandwiches
When the kindergartners come home from school.
We are told that now we can have it all.

I can't help wondering
What "all" is?


(c)Margaret Peck Latham          2010

Sunday, February 7, 2010

Before Dawn

Dark, quiet, expectant
The house awaits the day
With silent anticipation
Hush before orchestral sun



(c)Anne Darrison          2010

Saturday, February 6, 2010

Like the Essence of Fine Wine

She strolled down the garden path.
Inhaling, she smelled the red roses,
the pink carnations,
the purple isrises.
They all had their own fragrance,
their own allure,
their own mystique.
Not unlike a woman-
With her "pink" days,
fresh hopes, dreams,
maybe shelved by
growing kids, but still there.
Or a woman in red-
a rebirth-
new hobbies,
a devil may care attitude
a littlle rebellion,
followed by purple days-
a strong sense of self-
perhaps some softening of ways,
a mellowing out and yet . . .
the vase- regardless of the shape
holds a collection
of pink, red and purple blooms,
the blend of different phases
evolving over time-
like the essence of fine wine.


(c)Phyllis Johnson          2007
from HOT and Bothered by It. Community Press

Friday, February 5, 2010

A Real Heart Stopper!

Hair of midnight hue,
Eyes of bright morning blue
Had always held her heart
Through and through.

For her, he always was,
And he always would be
A real heart stopper!


(c)Linda Amos          2008

Thursday, February 4, 2010

Literary Archeology: Poems I've Yet to Write

From an overlook near the quiet beach
at Capri, that side opposite its rock
and boulder coastline that stares
toward once buried Pompeii,
its Roman past leveled,
elite and imprisoned alike
preserved together in volcanic ash,

I spot her, young, attractive,
alone, with a book, aloof in sunglasses,
her regal cabana fit for only one,
a sophisticated match for Sargent's
favorite model, Rosina.

Buon giorno!
She looks up.  "May I?" I'm sure
she's been schooled in English.
She does not refuse.
I drop to one knee.
"American?" she asks.

I say, "I have poems for you,
for the woman I think you are."
I pull my verse, folded,
from my shirt pocket.

"I compare your beauty
to the Sorrentine sun, your skin
to this smooth wet sand, but your eyes..."

I motion to her glasses.
I tell her what they hide, poetry
she hordes, stark
periods on my page, lines
locked in their world
like frozen women of Pompeii.


(c)B. Koplen          11/2009

Tuesday, February 2, 2010

Maternal Light

Her smile warms softly
the thick, hard night
her voice, a soothing song
a note of musical light
her hands are smooth pillows
bringing comfort to the weary
she is inspiration in motion
the embodiment of love.


(c)Kent Miller          2009

Monday, February 1, 2010

Sister Anne Arrives in Haiti

Blind babies will not see, the lame not walk for me,
But I can teach the deaf to dance, the lame to sing,
the blind to play the music.
I cannot light the jungle of fear,
Writhing with terror and tears of uncertain tomorrows,
But I can find its scarlet butterflies, its yellow birds
and burning blossoms,     
Fireflies and glowing eyes of gentle creatures.
I can draw back the rag that hangs at the door of Poverty's hut,
And see it grow bright with wisdom and faith and Caribbean sun.
I am too frail to halt attacking hunger of body and spirit,
Hurricane winds, battle and hatred,
Dusty thirst of restless mountains.
But I can nourish with beauty and hope and a vision,
Feel God's miraculous touch in little black fingers,
Clasping hand in hand in hand, small invincible stones
in a fortress of love.      
I cannot silence threatening drums and chanting witchcraft,
Echoed in vine-tangled calls of mysterious killers and demons,
Mourning roar and hiss of the sea on shore,
But I can lift the voices of island children,
Music the Father uses to speak to men
In loud hallelujahs that smother the funeral howling
With jingling calypso and burnished allegro, in reels and
hosannas.                 
I can give nothing; the gifts are God's and His glory;
I can but open the arms of His children to know Him.
I am one harpstring He touches, one note of the song of His
kingdom.



This poem was previously published in The Caribbean Writer
(c)Patsy Anne Bickerstaff          2000